I think there’s an intimacy in the physical form that can never be replaced by a screen. Why printed material? What is it about the physical over the digital or gallery based? Do you ever augment your printed work with web based approaches (please provide us with links – if so)? The pieces include some framed sequential drawings, cast metal candle holders, and a 12 foot long fabric scroll. There’s some ritualistic, mysterious undertones. The show spans a few processes, but is really focused on creating a kind of cohesive feeling/narrative in the and about the space. You’ll be having a show at Open Space here in Baltimore, knowing the breadth of the material in your work can you give us an idea of what will the show feature? I felt a lot of encouragement through the creative production and community. I participated in the Portland Zine Symposium almost every year I lived there and made a wide variety of hand made zines with drawings, writing, and comics. I’d made a few zines in high school guided by some of my more radical friends, but I didn’t really understand the possibilities until I moved to Portland, OR. When did you start publishing books and making editions, where are you based and what would you say are your guiding principles to making your books? Give us a brief history of your work as an artist and with publications. Terence Hannum Interviews PMF 7 Participant Aidan KochĪidan Koch will also have a show up at Open Space during the run of the fair.
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